Documentation
Intensive: Dreams
Rebecca Lethbridge, ‘Dreams’ 2021, Acrylic on paper, September 2021, A3.
I created this artwork to show my thoughts and interpretation on the theme of dreams, capturing a moment in time with the moon setting.
Intensive: Landscapes
Rebecca Lethbridge, ‘Autumn Woods’ 2021, Watercolour and acrylic on paper, October 2021, A3.
I created a seasonal multimedia landscape using warm colours and tones to give a sense of autumn and invoke nostalgic memories from my childhood.
Practical Session: Institutional Critique
Rebecca Lethbridge, ‘Bodleian Museum’ 2021, Watercolour, oil paint, pencil and pen on mount board, May 2021, A1.
This piece of multimedia artwork connects to what the word institution means.
Practical Session: Starting at the End Part 1
Rebecca Lethbridge, ‘White Flower’ 2021, Photography, November 2021, Size N/A.
Rebecca Lethbridge, ‘White Flower’ 2021, Pencil on paper, November 2021, Aprroximately A5.
Rebecca Lethbridge, ‘White Flower’ 2021, Paper flower on leaves, November 2021,
Flower is approximately A4.
I explored how changing the way that our art is presented and exhibited can influence and change its form and content, comparing an original photo to a pencil sketch and a paper flower placed in its natural habitat.
Practical Session: Starting at the End Part 2
Rebecca Lethbridge, ‘White Flower’ 2021, Watercolour and pen on paper, November 2021, A5.
Rebecca Lethbridge, ‘White Flower’ 2021, Acrylic on tracing paper, November 2021, A5.
Rebecca Lethbridge, ‘White Flower’ 2021, Acrylic on tracing paper, November 2021, A5.
I continued to explore how changing the way that our art is presented and exhibited can influence and change its form, this time comparing watercolour and black pen outline on paper with acrylic paint on tracing paper firstly displayed on a wall and secondly displayed on a window to create a stained glass effect.
Formative Exhibition
Rebecca Lethbridge, ‘Animals and Nature’ 2021, Watercolour, pen, acrylic, oil, pencil, pressed leaves, and wire on stretched canvas, December 2021, A4 each.
My exhibition piece incorporated a range of media including elements from the natural world to capture the importance of nature in my work.
Winter Brief Publication Pages
Rebecca Lethbridge, ‘My Publication Piece’ 2021/2022, Photography of my own art which was created in a variety of media (digial screenshot), December 2021/January 2022, A3.I created two pages based on my formative exhibition piece to explore how my work could look if it was published and how the style and arrangement of my work can vary to create different impressions and qualities.
Practical Session: Exhibition In A Suitcase
Rebecca Lethbridge, ‘Memory Box’ 2022, Mixed media and materials, March 2022,
Various sizes (see exhibition portfolio for individual works).
Rebecca Lethbridge, ‘Memory Box’ 2022, Mixed media and materials, March 2022, Various sizes (see exhibition portfolio for individual works).
Rebecca Lethbridge, ‘Memory Box’ 2022, Mixed media and materials, March 2022, Various sizes (see exhibition portfolio for individual works).
To create a stronger link between my love of nature and the memories it brings back, I explored new ways of presenting my nature-based artwork. I came up with the idea of a memory box or suitcase as travelling is a way of creating new memories.
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© Art By Rebecca Belgie